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Résultats de la recherche - Localisation:British Museum, London, Great Britain
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******** The Rosetta Stone
Code: BM00251
Artiste: ********
Titre: The Rosetta Stone
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** The Rosetta Stone
Code: BM00251
Artiste: ********
Titre: The Rosetta Stone
Genre: Not available
Période/Style: Not available
Localisation: British Museum
Genre: Not available
Période/Style: Not available
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
******** The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Code: BM00174
Artiste: ********
Titre: The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Code: BM00174
Artiste: ********
Titre: The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Genre: Minor arts
Période/Style: Sumero-Akkadian
Localisation: British Museum
Genre: Minor arts
Période/Style: Sumero-Akkadian
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Code: BM00176
Artiste: ********
Titre: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Code: BM00176
Artiste: ********
Titre: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Genre: Minor arts
Période/Style: Sumero-Akkadian
Localisation: British Museum
Genre: Minor arts
Période/Style: Sumero-Akkadian
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
Egyptian art Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Code: BM08315
Artiste: Egyptian art
Titre: Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

Egyptian art Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Code: BM08315
Artiste: Egyptian art
Titre: Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Genre: Fresco
Période/Style: New Kingdom (XVIII-XXV dinasty)
Localisation: British Museum
Genre: Fresco
Période/Style: New Kingdom (XVIII-XXV dinasty)
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Code: BM00175
Artiste: ********
Titre: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Code: BM00175
Artiste: ********
Titre: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Genre: Minor arts
Période/Style: Sumero-Akkadian
Localisation: British Museum
Genre: Minor arts
Période/Style: Sumero-Akkadian
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
******** Bronze figure of a running girl
Code: BM03594
Artiste: ********
Titre: Bronze figure of a running girl
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** Bronze figure of a running girl
Code: BM03594
Artiste: ********
Titre: Bronze figure of a running girl
Genre: Not available
Période/Style: Not available
Localisation: British Museum
Genre: Not available
Période/Style: Not available
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
******** Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'.  The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Code: BM02327
Artiste: ********
Titre: Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'. The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'.  The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Code: BM02327
Artiste: ********
Titre: Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'. The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Genre: Minor arts
Période/Style: Sumero-Akkadian
Localisation: British Museum
Genre: Minor arts
Période/Style: Sumero-Akkadian
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
******** Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Code: BM02275
Artiste: ********
Titre: Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Code: BM02275
Artiste: ********
Titre: Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Genre: Not available
Période/Style: Not available
Localisation: British Museum
Genre: Not available
Période/Style: Not available
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
Verrocchio, Andrea del (1436-1488) Head of a woman, c. 1475 (recto). This is one of several drawings, including one on the reverse of this sheet (00227184001), for the head of a nymph or Venus. The chief study for the nymph is in the Galleria degli Uffizi, Florence, begun by Verrocchio (about 1435-88) and completed by Leonardo
Code: BM08225
Artiste: Verrocchio, Andrea del (1436-1488)
Titre: Head of a woman, c. 1475 (recto). This is one of several drawings, including one on the reverse of this sheet (00227184001), for the head of a nymph or Venus. The chief study for the nymph is in the Galleria degli Uffizi, Florence, begun by Verrocchio (about 1435-88) and completed by Leonardo
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

Verrocchio, Andrea del (1436-1488) Head of a woman, c. 1475 (recto). This is one of several drawings, including one on the reverse of this sheet (00227184001), for the head of a nymph or Venus. The chief study for the nymph is in the Galleria degli Uffizi, Florence, begun by Verrocchio (about 1435-88) and completed by Leonardo
Code: BM08225
Artiste: Verrocchio, Andrea del (1436-1488)
Titre: Head of a woman, c. 1475 (recto). This is one of several drawings, including one on the reverse of this sheet (00227184001), for the head of a nymph or Venus. The chief study for the nymph is in the Galleria degli Uffizi, Florence, begun by Verrocchio (about 1435-88) and completed by Leonardo
Genre: Drawing
Période/Style: Renaissance
Localisation: British Museum
Genre: Drawing
Période/Style: Renaissance
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
******** EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Code: BM07383
Artiste: ********
Titre: EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Code: BM07383
Artiste: ********
Titre: EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Genre: Not available
Période/Style: Not available
Localisation: British Museum
Genre: Not available
Période/Style: Not available
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
******** Silver cistophorus of Mark Antony
Code: BM01798
Artiste: ********
Titre: Silver cistophorus of Mark Antony
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** Silver cistophorus of Mark Antony
Code: BM01798
Artiste: ********
Titre: Silver cistophorus of Mark Antony
Genre: Not available
Période/Style: Not available
Localisation: British Museum
Genre: Not available
Période/Style: Not available
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
******** Gold model chariot from the Oxus treasure
Code: BM09208
Artiste: ********
Titre: Gold model chariot from the Oxus treasure
Localisation: British Museum - London
Crédits: The Trustees of the British Museum c/o Scala, Florence
Droits et restrictions

******** Gold model chariot from the Oxus treasure
Code: BM09208
Artiste: ********
Titre: Gold model chariot from the Oxus treasure
Genre: Not available
Période/Style: Not available
Localisation: British Museum
Genre: Not available
Période/Style: Not available
Localisation: British Museum

Image disponible uniquement en Italie, en Espagne et en Portugal
Images trouvées: 10000
Images affichées:   1-12 / 10000
Nombre de résultats par page:
Trier par:
Page 1 - 2 - 3 - 4 - 5
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